Well I'm doing it again this year. But things should be different this time around. First off it's a different show (Annie was picked this time around) so it has to be better right? Isn't that how is works? No...? Ok well, it'll be better, no matter what the show. I'm now much more comfortable with the people involved, and I know what my limitations and resources are. I understand more completely what is expected of me and know how to best manage my schedule and time. I think that will make all the difference. I still don't like designing much, so that part wont be my cup of tea still, but everything else should be better. I still celebrate when it's done though.
On a really fun note (how's F# sound?) I just recently returned from a workshop on scenic painting. I also just completed the feedback survey for it, so it's all fresh in my mind...I think. The week of January 16th I packed up my suitcase, got on a plane and traveled to East Haddam, CT. There lives The Goodspeed Opera House and their paint shop.
I wasn't 100% sure what not expect from the Introduction to Scenic Painting Intensive they were offering (other than what was in the itinerary) but I was excited. I hadn't done anything that was specific to the realm of painting in over a year and I needed the push.
The trip was fantastic! The workshops we had were split pretty evenly between hands on technique building (such as these lovely examples of weathered wood and a stone walkway I made) and discussion style lectures about materials.
We had some of the biggest names in the field coming in to teach and talk to us. Howard Jones and Diane Fargo to name two. As well as Jenny Knott, one of the head honchos in Rosco's laboratories (there was an official title there...but I've since forgotten) and Peter Monahan of Rose Brand.
I can't tell you how exciting it all was! I learned SO much! There was a little info I had already known, but a refresher and practice is always needed. I also got free stuff! Everything about being there was the perfect combination of challenge and passion. I have been thinking about continuing my schooling/education in theatre for awhile now. And going to this intensive only spurred that desire more. I had already been looking at the few programs available in the U.S. for scenics, but I now have more than just a general knowledge of the schools, but I have now met the heads of two of those programs (Howard runs the one at UNCSA and Diane the one at Boston U.), and the founder of another (Howard was also one of the original founders of Cobalt Studios). I never would have dreamed that would happen.
So with new vigor in my heart and a show to work on in front of me, I will continue on in my work.
Right after I drink this chocolate milk Kat's got me addicted to.
-Meghan (since Cassie says I can't be Meg. Any other sign off suggestions?)